Библиография

Дополнительные библиографические источники и материалы

Burke P. What is Cultural History? Cambridge, 2004, p. 77-78.
Rosenstone R. Visions of the Past: The Challenge of Film to Our Idea of History. Cambridge (MA), 1995
Hayward S. Cinema Studies. The Key Concepts. London - New York, 2000
Самутина Н.В. Современное европейское кино и идея культуры ("прошлого"). - Феномен прошлого. Под ред. И.М. Савельевой, А.В. Полетаева. М., 2005.
The Historical Film: History and Memory in Media. Ed. by M. Landy. London, 2001
Walsh K. The Representation of the Past: Museums and Heritage in the Post-Modern World. London - New York, 2002
Феномен прошлого. Время - История - Память: историческое сознание в пространстве культуры. Под ред. Л.П. Репиной. М., 2007
Groot J. de. Consuming History: Historians and Heritage in Contemporary Popular Culture. London - New York, 2008
Gray A., Bell E. History on Television. London - New York, 2013
Landsberg A. Engaging the Past: Mass Culture and the Production of Historical Knowledge. New York, 2015, др.
The Oxford Handbook of the New Cultural History of Music. Ed. by J.F. Fulcher. Oxford, 2011, p. 3.
Lawson C., StowellR. The Historical Performance of Music: An Introduction. Cambridge, 1999
Music ofthe Past, Instruments and Imagination: Proceedings of the Harmoniques International Congress. Lausanne 2004
Publikationen der Schweizerischen Musikforschenden Gesellschaft. Ed. by M. Latcham. Bern, 2006
Fry A. Remembrance of Jazz Past: Sydney Bechet in France. - The Oxford Handbook of the New Cultural History of Music, p. 307-331.
TaggPh. Analyzing Popular Music: Theory, Method and Practice. - Popular Music, 1982, v. 2, p. 37-67
Middleton R. Studying Popular Music. Milton Keynes, 1990
Frith S. Performing Rites: On the Value of Popular Music. Cambridge, 1996
ShukerR. Understanding Popular Music. London, 2001
Toynbee J. Making Popular Music: Musicians, Creativity and Institutions. Oxford, 2000
Cloonan M. What is Popular Music Studies? Some Observations. - British Journal of Music Education, 2005, v. 22, № 1.
GildartK. Images of England through Popular Music: Class, Youth and Rock’n’Roll, 1955-1976. New York, 2013, p. 2.
Britpop and the English Music Tradition. Ed. by A. Bennett, J. Stratton. Farnham, 2010, p. 7.
Faulk B.J. British Rock Modernism, 1967-1977: The Story of Music Hall in Rock. Farnham, 2013
Simonelli D. Working Class Heroes: Rock Music and British Society in the 1960s and 1970s. Lanham - Boulder - New York - Toronto - Plymouth, 2013
DonnellyM. Sixties Britain: Culture, Society and Politics. London - New York, 2005, p. 4-5.
Colls R. Identity of England. Oxford, 2002, p. 305.
Simonelli D. BBC Rock Music Programming On Radio and Television and the Progressive Rock Audience, 1967-1973. - Popular Music History, 2007, № 2, p. 97.
Perone J.E. Mods, Rockers, and the Music of the British Invasion. London, 2009.
GelbartM. Persona and Voice in the Kinks' Songs of the Late 1960s. - Journal of the Royal Musical Association, 2003, v. 128, № 2, p. 226.
Chapman R. The 1960s Pirates: A Comparative Analysis of Radio London and Radio Caroline. - Popular Music, 1990, v. 9, № 2, p. 177-178.
Shute G. Concept Albums. Auckland, 2013, p. 5.
Jovanovic R. God Save The Kinks. A Biography. London, 2013, p. 148.
Miller A. The Kinks Are the Village Green Preservation Society. London, 2003, p. 48.
Davies D. Kink, An Autobiography. London, 1996, p. 107.
Savage J. The Kinks - The Official Biography. London, 1984, p. 108.
The Kinks. The Kinks Live Kronology. DVD, cop 2009.
The Kinks. You Really Got Me - The Story Of The Kinks. DVD, cop 2007.
Savage J. England’s Dreaming: Sex Pistols and Punk Rock. London, 1991, p. 108.
Shaffer G. Race on the Television: The Writing of Johnny Speight in the 1970s. - British Culture and Society in the 1970s: The Lost Decade. Ed. by L. Forster, S. Harper. Newcastle-upon- Tyne, 2010, p. 110.
Savage J. England's Dreaming Tapes. Interviews, Outtakes and Extras - the Essential Companion to "England's Dreaming", the Seminal History of Punk. London - New York, 2009, p. 264.
Cogan B.A. From the 10l'ers to the Mescaleros, and Whatever Band was in-between: Joe Strummer's Musical Journey (Or, Why Woody?). - Punk Rock Warlord: the Life and Work of Joe Strummer. Ed. by B.J. Faulk, B. Harrison. Farnham, 2014, p. 38.
Savage J. England’s Dreaming: Sex Pistols and Punk Rock, p. 233-234.
Savage J. England’s Dreaming: Sex Pistols and Punk Rock, p. 330.
The Clash. Ed. by J. Strummer, M. Jones, P. Simonon, T. Headon. London, 2008, p. 105.
Salewicz C. Redemption Song. The Definitive Biography of Joe Strummer. London, 2006, p. 202.
Gray M. Route 19 Revisited. The Clash and London Calling. London, 2009, p. 218-219.
New Musical Express, July 15, 1978; Savage J. England’s Dreaming Tapes. Interviews, Outtakes and Extras, p. 261.
Tranmer J. The Creation of an Anti-Fascist Icon: Joe Strummer and Rock Against Racism. - Punk Rock Warlord: the Life and Work of Joe Strummer. Ed. by B.J. Faulk, B. Harrison. Farnham, 2014, p. 96.
Revendale I. Nuked by the NENWOBHM. - Sounds, July 5, 1980, p. 50.
Heavy Metal Music in Britain. Ed. by B. Gerd. Farnham, 2009
Cope A.L. Black Sabbath and the Rise of Heavy Metal Music. Farnham, 2010
Weinstein D. Heavy Metal: The Music and Its Culture. Boston, 2000.
Walser R. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover (NH), 1993, p. 162.
Wall M. Run to the Hills. An Authorised Biography. London, 2001, p. 148-149.
Daniels N. Killers: The Origins of Iron Maiden 1975-1983. London, 2014, p. 65.
Bushell G., Halfin R. Running Free. The Official Story of Iron Maiden. London, 1984, p. 72.
Shooman J. Bruce Dickinson: Flashing with Iron Maiden and Solo. Church Stretton, 2007, p. 86.
Cerullo J., DonatoR., CapeciA. Iron Maiden. Miami (FL), 1994, p. 163.
Bashe P. Heavy Metal Thunder: The Music, Its History, Its Heroes. London - New York - Sydney - Cologne, 1985, p. 150.
Iron Maiden. Live After Death. DVD, cop 1985.
Iron Maiden. Behind the Iron Curtain. DVD, cop 1985.
Bayer G. Rocking the Nation: One Global Audience, One Flag? - Heavy Metal Music in Britain. Ed. by B. Gerd. Farnham, 2009, p. 187.
Millar R. Power to the People. - Sounds, 15.IX.1984, p. 27.
Moore R.M. The Unmaking of the English Working Class: Deindustrialization, Reification and the Origins of Heavy Metal. Farnham, 2009, p. 148.